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Fast Company
November 2011 |
Martin Scorsese On Orson-Welles Orson-Welles was a force of nature that came in, a creation that wiped the slate clean from the type of films that preceded him.   |
Fast Company
November 2011 |
Martin Scorsese On John Cassavetes John Cassavetes wiped away the old vocabulary of doing films. |
Fast Company
November 2011 |
Martin Scorsese On Roberto Rossellini Roberto Rossellini changed cinema three times. |
Fast Company
November 2011 |
Martin Scorsese On Michael Powell And Emeric Pressburger Martin Scorsese describes how Michael Powell and Emeric Pressburger changed cinema through bold risks. |
Fast Company
November 2011 |
Martin Scorsese On Boris Lermontov Since his art must come above all, Boris Lermontov forces ballerina Victoria Page into a tragic choice between love and her career. |
Fast Company
November 2011 |
Martin Scorsese On William Friese Greene The life story of Friese-Greene, one of several men who could claim the mantle of "inventor of the motion picture." |
Fast Company
November 2011 |
Martin Scorsese On John Lloyd Sullivan The depth of John Lloyd Sullivan's commitment to the exercise is tested regularly and comically - before a shock brings him to an utterly unexpected conclusion. |
Fast Company
November 2011 |
Martin Scorsese On Chuck Tatum Worn-out reporter Chuck Tatum sees a big score in the plight of a trapped miner, and he schemes to tragic effect as he tries to milk the story for everything it's worth. |
Fast Company
November 2011 |
Martin Scorsese On Tony Hunter Long past his heyday, song-and-dance man Troy Hunter pairs up with a modern ballerina and an avant-garde director to put on a career-saving show. |
Fast Company
June 2012
Evan Hochberg |
How Collectives Help Indie Filmmakers Make Better Movies Beasts of the Southern Wild, which nabbed Sundance's top 2012 prize and comes out June 27, is the product of a new trend in indie films -- collectives, or groups of collaborating artists. Collectives champs explain. |
Salon.com
August 15, 2000
Stephen Lemons |
Robert Altman Hollywood's ultimate outsider is at long last the Big Daddy of American cinema. |
PC Magazine
November 16, 2005
Nicole Price Fasig |
Film Fracas The Motion Picture Association of America (MPAA) is getting more serious about Internet trading of copyrighted films. |
Fast Company
December 2005
Jena McGregor |
A Foreign Affair Global markets used to be an afterthought in Hollywood, but not anymore. |
Salon.com
January 3, 2001
Bill Wyman |
"Nashville" On this long-awaited DVD, director Robert Altman talks about the making of an American classic... |
Salon.com
October 9, 2001
Janelle Brown |
Film to watch as we engage in war Despite strict censorship and a paucity of funds, Middle Eastern cinema illuminates the political and personal lives of people we now battle or befriend in the region... |
Science News
October 1, 2005 |
Science Cinema The Museum of the Moving Image has launched a Web site that features short films, interviews, and articles devoted to science and technology in movies. |
Salon.com
August 20, 2002
Uju Asika |
Black to the future Director Isaac Julien talks about "BaadAsssss Cinema," his Independent Film Channel tribute to the outrageous fashions, foot-high Afros and subversive politics of '70s blaxploitation movies. |
AskMen.com
April 8, 2003
Peter Richmond |
Top 10 Sports DVDs Men like sports; men like films. The geniuses in Hollywood figured this out years ago and have since released a plethora of films depicting the events in amateur and professional sports. We came up with a list of sports DVDs that all men should have. |
Inc.
February 2006
Patrick J. Sauer |
Q&A: Steve Sabol, President, NFL Films With his very first documentary, in 1965, Steve Sabol became the designated mythmaker of pro football. Now the company is a $50 million family operation embedded within a multibillion-dollar business. |
Salon.com
October 31, 2002
Damien Cave |
Reel world domination If young film buffs choose Tarantino over Antonioni, are they culturally illiterate? Some of their elders, self-appointed guardians of the cinematic canon, think so. |
