| Old Articles: <Older 401-410 Newer> |
 |
Salon.com January 25, 2001 Michael Sragow |
"The Bridge on the River Kwai" Two takes on David Lean's epic masterpiece show how vastly different Hollywood's idea of great moviemakers was in 1957...  |
Salon.com January 24, 2001 Andrew O'Hehir |
"Elizabeth" How the Virgin Queen, from the stone castle's point of view, turned herself immortal...  |
Salon.com January 23, 2001 Stephanie Zacharek |
"Snatch" Keep your eyes wide open in this speedy, jumbled thug movie -- otherwise you'll miss Brad Pitt, Benicio Del Toro and a whole lot of nothing...  |
Salon.com January 23, 2001 Jeff Stark |
"The Virgin Suicides" Subtle, breezy, serious and smart, Sofia Coppola's gorgeous directorial debut gets to the heart of adolescent longing -- singing chewing gum notwithstanding...  |
Salon.com January 22, 2001 Gina Arnold |
Badass girls on film Is it a good thing when women beat the crap out of men at the movies?  |
AskMen.com January 19, 2001 |
Movie Reviews: Snatch, The Gift, The Pledge, Crouching Tiger, Hidden Dragon Guy has done it again. Del Toro executed his role immaculately just like he did in Traffic, and Brad plays an incoherent boob to perfection...Cate Blanchett does a great job, but unfortunately, you really need to suspend your disbelief in order to enjoy this Billy Bob Thornton flick... etc.  |
Salon.com January 19, 2001 John W. Dean |
Does "Thirteen Days" get it right? A moviegoer with his own role in history looks at how fact-based films interpret reality...  |
Salon.com January 19, 2001 Charles Taylor |
"The Pledge" Jack Nicholson as a hallucinating ex-cop is almost as good as he's ever been, but he can't save Sean Penn's pretentious thriller...  |
Salon.com January 19, 2001 Stephanie Zacharek |
"The Gift" A certain magic moves this ghostly Southern Gothic nail-biter. Forget the cards: It's all about Cate Blanchett, Keanu Reeves and some great acting...  |
Salon.com January 19, 2001 Charles Taylor |
"Panic" William H. Macy's hit man commands a serious black comedy, a quiet thriller that's also an evocation of middle-aged disappointment...  |
| <Older 401-410 Newer> Return to current articles. |