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Salon.com
July 24, 2000
Michael Sragow |
"Apocalypse Now" This may not be the ultimate package, but at least Coppola sheds some light on the picture's spectacular and eerie nighttime blaze.   |
Salon.com
July 21, 2000
Stephanie Zacharek |
"What Lies Beneath" Sure, it's a shameless supernatural thriller, but the showmanship -- and Michelle Pfeiffer -- comes through in the clutch. |
Salon.com
July 21, 2000
Charles Taylor |
"Loser" Amy Heckerling's college comedy makes a big-city sweetie out of a small-town kid. But when did the director get so bitter? |
Salon.com
July 11, 2000
Andrew O'Hehir |
"The Bride of Frankenstein" There's much more to James Whale's 1935 masterpiece than Elsa Lanchester's hair-raising hairdo. |
Salon.com
July 20, 2000
Michael Sragow |
Who cares "What Lies Beneath"? Skip Hollywood's latest scary movie and try one of these haunted-house classics. |
Salon.com
July 20, 2000
David Thomson |
A funny valentine Chet Baker and Dickie Greenleaf make Tom Ripley fall in love. |
Salon.com
July 20, 2000
Gregg Kilday |
The "X-Men" crusheth Meet the new gold standard for Hollywood hype. |
Salon.com
July 20, 2000
Stephanie Zacharek |
The DVD Room: "American Pie" The "unrated" version catches a teen boy and a pastry in flagrante delicious, but where are the girls? |
Salon.com
July 18, 2000
Charles Taylor |
"The Mummy" (1999) and "The Mummy" (1932) Stephen Sommers' 1999 remake uses special effects to dazzle and delight; the 1932 original creeps into your dreams. |
Salon.com
July 17, 2000
Andrew O'Hehir |
"Taxi Driver" The picture that changed cinema history and American history, plus a detailed technical deconstruction. |
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